top of page
STUDIO TATOON
PORTFOLIO
Within the tapestry of Studio Tatoon's portfolio, the artistry of graphic design unfurls gracefully through the skilled hands that wield InDesign, Illustrator, and Photoshop. Woven into this narrative are the intricacies of rigging, meticulously crafted in the realms of Cinema 4D and Maya, breathing soul into digital forms. The pages come alive with animations meticulously orchestrated in the theaters of Cinema 4D and Maya, where the very principles of animation dance in harmony. As the curtain rises, the stage is illuminated by the rendering prowess of Cinema 4D's V-Ray and Maya's Arnold, casting a lifelike aura upon each masterpiece. Studio Tatoon's portfolio is a symphony of design finesse, 3D expertise, and storytelling prowess, etching tales of innovation and imagination.
GRAPHICS DESIGN
Studio Tatoon's workflow is an artistic journey that begins with precise graphics and logo design, incorporating monogamic and typographic elements while upholding the golden ratio. We meticulously explore shapes and colors, culminating in comprehensive branding and package designs, including brand color harmonization. Our creativity extends seamlessly to digital signage, dynamic promotional materials, and captivating print designs like flyers, banners, magazines, and book covers, crafting a visual narrative that resonates.
3D CHARACTER SCULPTING
Within the digital atelier of ZBrush, I channel a vigilant gaze, ensuring voluminous grandeur remains unwavering. My chisel-like strokes craft balanced contours, each curve a harmonious dance with the next, orchestrated by the divine cadence of the golden ratio. My virtuosity extends to the very marrow of anatomy, infusing life into characters, both authentic and visionary. Every wrinkle and pore, a testament to my scholarly communion with intricacies, a pledge to elevate the sculpture's essence to an echelon of uncompromised excellence.
3D CHARACTER MODELING
With a symphony of ZBrush, Maya, Mari, and Cinema 4D, our artistic symposium unfolds. Our virtuoso hands sculpt with purpose, crafting intricate forms atop the foundations of good topology. UV texture wrapping and unwrapping become canvases for our creativity, ensuring every pixel tells a story. We navigate the ebb and flow of artistic evolution, gracefully embarking on retopology journeys when necessity beckons. Our mesh harmonies dance, orchestrating low counts for game characters and soaring crescendos for high-production brilliance.
3D CHARACTER RIGGING
Incorporating Maya and Cinema 4D, our rigging workflow shines. We meticulously weight paint for natural motion and delve into the bone and blend shape rigging, combining structure and expressiveness. Skin precision ensures lifelike movement, while controller adjustments refine control. Python scripting empowers us, automating tasks and enhancing efficiency, resulting in a seamless integration of our rigging process.
ANIMATION
In the realm of animation, we wield the magic of Maya and Cinema 4D, breathing life into characters that embody the 12 principles of motion with a grace reminiscent of classic literature. Through meticulous craftsmanship, we weave clean curve management into each frame, creating a symphony of movement that resonates with the essence of storytelling. Our artistry transcends pixels, as we craft narratives that dance through time with the elegance of a well-composed sonnet.
VISUALIZATION
Amidst the realm of product and medical visualization, my artistic tapestry unfolds, woven with the threads of Vray, Arnold, Maya, Cinema 4D, and After Effects. Guided by the artistry of light, the symphony of the main, rim, and fill lights dances, casting scenes aglow with impeccable global illumination. With the power of high-performance CPU or GPU rendering, I conjure minimal noise, expertly calibrating exposure and depth of field akin to the verses of a seasoned poet. As a color maestro, I traverse the terrain of Scopes, Histograms, and RGB Curve management during post-composition, painting each frame with hues that resonate like timeless prose.
bottom of page